Showing posts with label Deathstroke. Show all posts
Showing posts with label Deathstroke. Show all posts

Tuesday, January 1, 2019

Looking back at 2018: my top ten comic series of the year

It's been a strange year as I mostly stopped buying comics by the first of it and have started buying a few more later in the year. But I've found several books that have proven themselves month in and month out as great material. Some of these are limited series, though most are ongoing, but none have planned runs under twelve issues. I overlooked a few limited series (Justice League: No Justice, Batman: Creature of the Night, Bloodstrike: Brutalists) for this reason.


  1. Avengers: Marvel's new team by Jason Aaron, Ed McGuinness and Paco Medina gathers the company's heavy hitters with some unique new blood (Robbie Reyes!) to spark my interest. Aaron, much like another writer on another tentpole series on this list, is really going heavy into universal mythology with this series and gives us an epic opening gambit. It will be interesting to see if he can maintain that level of quality over any length of time. 
  2. Tony Stark: Iron Man: Dan Slott probably should have been off Spider-Man and on Iron Man a few years back. His style seems a natural fit for Tony and his expanded cast of Stark employees has created for an interesting series, even if it doesn't feel as monumental as the other Marvel titles on this list. 
  3. The Silencer: Dan Abnett's post-Metal addition to the DC Universe seems to be the one with the most staying power. Connections to the Morrison-created Leviathan organization and Talia as a cast member probably doesn't hurt its chances. But it's great storytelling with a unique character in an unusual situation that makes the book stand out from the rest.
  4. Scooby-Doo Team-Up: I won't lie and say every issue is a gem, but the DC crossovers in this book may offer the most fun DC Comics in a decade. Sholly Fisch is ready and willing to dig through the DC catalog to make some fascinating tales with obscure characters, perhaps most exemplified by appearances from Swamp Thing and ever DC ape character this year.
  5. Justice League: Scott Snyder's run kicked off well with No Justice, but his ongoing series has cemented a DC Universe far more interesting than it has been since the days of 52. With a top tier art team and an editorial team ready to let him shape the path of the DCU, if DC stays the course they could have an amazing title for years to come. 
  6. Immortal Hulk: The big surprise for me was this one. Joe Bennett isn't an artist I care for often, but he's putting in great work on this new series with writer Al Ewing. The new book takes Hulk on a supernatural bent even as Bruce Banner has to deal with the fact that his changes now come with his repeated death. It's definitely a new take on the character and one that I cannot wait to see where it leads.
  7. Teenage Mutant Ninja Turtles: Tom Waltz's tale of the four ninja brothers has remained one of the most consistently entertaining comics for several years. While the year seemed a bit mired in the ongoing struggle with Rat King, the series continues to do new and interesting things with the characters and creating a new legacy for them I hope to see continue for years to come. 
  8. Deathstroke: Few books have made it from Rebirth to now without a new writer hopping aboard. Of the few that have, none have remained as consistent as Priest's work on Deathstroke. But perhaps most amazingly, he does it by re-inventing the assassin's life every six months or so. It makes for one of the most unexpected series I thought I would see from DC and proves just how good Priest is as comics writer.
  9. Doomsday Clock: I won't lie. I expected to hate Geoff Johns and Gary Frank's crossover sequel to Watchmen. Instead I've been intrigued for page after page. The book's new additions to the Watchmen Earth drive the series forward, even as it also exposes the dark secrets of the origins of DC's own heroes and villains. It's a compelling read, but I remain curious exactly how it will change the DCU going forward.
  10. Venom: I liked the movie quite a bit. But I loved the new comic. Ryan Stegman is an amazing artist but I never read a Donny Cates book before this series. Now he's a name I check out, because he shows a willingness to think so far outside the box without disrupting the continuity already established. The dark secrets of the symbiotes come out as this series begins, and it only gets more wild from there. Eddie Brock versus a cosmic level threat turns out to be the most brilliant storytelling ploy I never expected. Amazing work by all involved. 

That's my list. If you told me it would be so Marvel-centric I'd probably have laughed at you. But so it goes as both Marvel and DC proved they could still do great comics in 2018.

I'd love to hear your own in the comments! What were the best and brightest series for you in the last year?

Friday, March 2, 2018

What's up for March 2, 2018

What's Up is a simple post where I give you links to the books, comics, movies, games and/or music I have been enjoying as of late. Feel free to check them out if you would like to enjoy them as well or give your opinions of these works in the comments below (though do try to keep it spoiler free.)




I Am Salamander | Deathstroke: Twilight | James Bond: Eidolon |
Batman: Brave & The Bold Season 3 | Lindsey Stirling: Brave Enough

Tuesday, January 9, 2018

Looking back at 2017: 10 best graphic novels

Much like my list for the five best novels, the ten best graphic novels list covers any graphic novels I've read in 2017, whether they were published this year or not.

Scott McDaniel rocked Daredevil during his
great run with D.G. Chichester.
  1. Howling Commandos of SHIELD

    A great monsters meets adventure yarn quickly derailed by Marvel's obsession with publishing twenty too many titles.

  2. Karnak: The Flaw in All Things

    Warren Ellis' entry into the Inhumans line of comics was easily the best, though a change in artists at the beginning derailed it from the beginning and made this the first and only collection.

  3. The Nameless City

    Faith Erin Hicks' all ages fantasy tale was incredibly well put together and left me excited for more.

  4. Dark Knight: The Master Race

    Brian Azzarello teamed with Frank Miller for an epic sequel to The Dark Knight. Probably not everyone's cup of tea, but as a personal fan of this future DC, it was an epic continuance as Batman took on a team of Kryptonian psychopaths.

  5. Throwaways

    I loved Caitlin Kittredge's excellent Coffin Hill. Her Image Comics follow up with a story mixing superheroes with super spies. It's one of my favorite books to come out of nowhere in a long time.

  6. Secret Empire

    Though it in no way was about a secret empire, the limited series offered an interesting new tale of the Marvel Universe. Unfortunately, the lead up to it was such a disaster, I doubt this final book will ever get much credit as Marvel fights to keep from faltering in 2018.

  7. Red Wolf: Man Out of Time

    The only collection of the post-Secret War series was a lot of fun and seemed to be the start of a truly fascinating new corner of the Marvel Universe. But like Howling Commandoes, it had no chance to get off the ground at all.

  8. Daredevil: Fall From Grace

    The classic D.G. Chichester and Scott McDaniel swan song to Daredevil was a great series that could have set up an intriguing new future for the character. Instead, it was quickly thrown away for a return to a lighter funner look at Daredevil.

  9. Bandette: Stealers Keepers

    The second volume of the Colleen Coover and Paul Tobin series is every bit as good as the first. This book needs more issues desperately. I am hard pressed to find a comic as fun as it.

  10. Deathstroke: The Professional and The Gospel of Slade

    The first twelve issues of Christopher J. Priest's run on the character have defined Deathstroke for a new generation. I strongly respect DC for making Deathstroke an important character in the DCU again. With his future in the DC movie universe, here's hoping this series continues for several more years.
Deathstroke Rebirth & Deathstroke: The Professional cover art by ACO.





Tuesday, January 3, 2017

Looking back at 2016: Top Ten Comic Series

I read a lot of comics every month. And while 2016 had me reading far less than I had in previous years, I still spent a lot of time with floppy issues open in front of me. Here's the ten best series I read all or part of in 2016.

  1. Dept. H: Matt Kindt is one of the best writers of modern comics. While his Valiant work (Ninjak, Divinity) is also amazing, his very best work of the year was this underwater murder mystery. Easily one of the most compelling books of the year with a heck of a lot more story to tell in 2017. 
  2. Sex: Joe Casey and Piotr Kowalski's series takes a solid look at superhero comics by telling the story of a Batman style superhero that retired to end a gang war. Definitely a book for adults, Sex offers maybe one of the most intriguing ongoing narratives I've read in years. While monthly issues have ended as of this month, it looks to continue as a series of OGNs over the upcoming years. 
  3. The Shadow: Death of Margo Lane: Matt Wagner and The Shadow are a match made in heaven. Nuff said. 
  4. Gold Digger: I never know what I am in for with each issue of Fred Perry's ongoing series. After over 200 issues, he's created a massive universe but never makes a reader feel like he's completely lost as he pokes at the many corners of his own personal cosmos. 
  5. Insexts: Victorian England, super-bug powers and two women's love are the key components to this fascinating series from Marguerite Bennett and Ariela Kristantina, the best offering of several great books from Aftershock Comics. 
  6. Deathstroke: DC recruited Christopher Priest to write one of my favorite characters. He took the ball and ran with it and has made Slade Wilson's life more intriguing than ever before. Probably the best mainstream book on stands today. 
  7. Black Hammer: Jeff Lemire's tale of exiled heroes is a fascinating deconstruction of superhero archetypes in a real world setting. I have no clue where he's going with it all, but I cannot wait to keep following the tale of the trapped heroes. 
  8. Doctor Fate: I dearly miss Paul Levitz and Sonny Liew's amazing series. They created a great new era of a classic character and did so while not hiding from the truths of reality. Any fan of Ms. Marvel should definitely check it out, as should any fan of great comics. Now canceled, a world without it is a sadder place. 
  9. Teenage Mutant Ninja Turtles: While 2016 wasn't the absolute best run of the IDW Turtles books so far (that came in 2015), it remains one of the most compelling monthly titles on the market today. Kudos to Tom Waltz and company on consistently producing one of the best titles month after month. 
  10. Limbo: This weird limited series by newcomers Dan Watters and Caspar Wijngaard introduced a strange world with even stranger happenings. I cannot quite explain the slightly psychedelic aspects of this book, but it reads like classic Vertigo in all the right ways. Watters and Wijngaard have the potential to be huge creators in the next few years.



Wednesday, September 7, 2016

Best Character Ever 23: Deathstroke

Deathstroke's modern costume by Tony Daniel.

I don't know where exactly I first fell in love with Deathstroke. I started to follow the Titans off and on around 1989 with Secret Origins Annual 3 as my first major exposure to the team. I only rarely picked up issues at that time as eleven year old Nick had limited access to comic shops where New Titans and later Deathstroke were exclusively sold at.

But I knew I was intrigued by Slade Wilson. Just as Nightwing quickly became a favorite DC hero, Deathstroke became my favorite anti-hero. A combination of a traditional Marvel hero and a roguish assassin in the men's adventure vein mixed with a bit of megalomania, he was an intriguing character built around a personal code of honor. He intrigued me as a villain who wasn't quite a villain, but was far from being a hero, especially as he spun off into his own series.