Showing posts with label George R.R. Martin. Show all posts
Showing posts with label George R.R. Martin. Show all posts

Tuesday, June 26, 2018

The 10 authors Super Powered Fiction writers should read

Everyone loves Top 10 lists, right? And as I slowly reveal the Top 10 Wrestlers of 2015 over at The Wrestling Weekday, I thought it would be fun to pull out an old list I wrote. It was over a year ago that I spent some time brainstorming the ten authors I thought writers of super powered fiction should read, but the list still holds strong for me as 2016 dawns.

Not everyone on the list regularly writes super powered beings, but don’t let that scare you away from some great fiction. Some are just great at simple things like dialogue or the combination of amazing wonder with a real world setting. All of them can be great inspirations for any writer of super powered fiction and come with the highest recommendation from this author. Here they are presented in no particular order.



  1. Madeline L’Engle – L’Engle had an amazing ability to ground the most insane idea in reality. A Wrinkle in Time is built around crazy ideas presented with an air of the normal.
  2. Adam Troy Castro – His Sinister Six novels that came at the end of the 90s Marvel novels showed how to juggle a ton of characters in super powered prose, a trait shared by…
  3. Van Allen Plexico – Van’s Sentinels series juggles a huge cast in compelling tales about a unit somewhere between the Avengers and the Defenders. One of the first true independent creators of super powered fiction, Van in many ways built the archetype for how to create a super powered prose universe and I learn from his work every time I read it. 
  4. Stephen King – Several of King’s earliest works very much fall into the super powered fiction category: Carrie, Firestarter, The Dead Zone, etc.
  5. Robert Parker – No one does dialogue as well as Parker. Anyone can learn from reading his stories.
  6. Orson Scott Card – Card has an ability to build big ideas around human stories, both in his solid Ender series and his far stronger Alvin Maker fantasy tales.. I argue it is a tact he learned from…
  7. Robert Heinlein – Heinlein is a master of the art of interweaving his ideas into a human narrative, even if it is one of the future. He’s also great for challenging social contracts decades before the present day.
  8. Diane Duane – Duane’s Spider-Man and Venom trilogy taught me that a superhero like Spider-Man could be a compelling lead in prose at a time when such things weren’t really done. Her trilogy also shows exactly how to use Mary Jane as Peter’s wife and make her compelling, something Marvel Comics writers and editors found so hard they used a demon to end their marriage.
  9. George R. R. Martin & the Wild Card Trust – For obvious reasons, the creatives behind the Wild Cards series all deserve every ounce of praise they receive. Some of the best minds in super powered prose ever.
  10. Octavia Butler – Butler deserves to be on the top of this list for Wild Seed alone, but every novel she wrote is a master class on short, tight narrative. Wild Seed is a major inspiration for the historical metahuman stories still developing in the Quadrant Universe while its sequels build an interesting narrative of secret super powered beings among us.

I still routinely pull out books by all these writers when I need a bit of inspiration. I highly recommend any lovers of great fiction to do the same. 

Wednesday, January 17, 2018

Influential: Wild Cards

I am deep in the heart of the latest Wild Cards volume in between writing work, so it seemed apt to share this classic influential about the series.

Brian Bolland drew the best of many Wild Cards covers over the years.
It is hard to talk about super powered prose fiction in the United States without bringing up the Wild Cards franchise. Conceived by George R.R. Martin in the late eighties and based on a Superworld campaign by some of the original authors, it was the first major work to put original superheroes into prose form.

Now decades old, in many ways the series defined superhero prose fiction. It also proved that a cohesive universe shared by multiple authors was not only feasible but could also be incredibly compelling.

While the first volume in the series was published in 1987, I didn’t discover the series until the very early 1990s however through six hardcover reprints produced by the Science Fiction Book Club and available at my local library.

When I read that first volume, now renamed Wild Cards I, a major revelation hit me. I could combine my love for superheroes and prose into something wholly original. My terrible artistic attempts pretty much ended when I finished that first book and reveled in the adventures of Jetboy, Tachyon, The Great & Powerful Turtle, Golden Boy, The Sleeper, Fortunato and more. They weren’t like the characters in comics. They were far more adult, far more violent and far more real.

The books decision to never hide sex and violence from its pages is a major influence on Walking Shadows. If I wanted to tell the real lives of these young people, I knew I needed to never shy away from their real lives. With that in mind, I set out to make this a series aimed at younger readers with a mature bent while still having some of the high drama of superhero stories.

At the same time, Wild Cards I also did much to encourage the history of the Quadrant Universe. The book stretched across four decades of the twentieth century, interwoven through a subtly altered history. It was a concept I embraced when designing the thousands of years worth of history that make up the backstory of my world, much of which still waits to be revealed.

But if you have never read Wild Cards, go give the first book a chance. The new edition first book even has some new tales by modern authors in it for long time readers. I’m pretty sure you’ll be glad you gave it a try.

Thursday, January 14, 2016

My Top 10 Authors for Super Powered Fiction writers & readers

Everyone loves Top 10 lists, right? And as I slowly reveal the Top 10 Wrestlers of 2015 over at The Wrestling Weekday, I thought it would be fun to pull out an old list I wrote. It was over a year ago that I spent some time brainstorming the ten authors I thought writers of super powered fiction should read, but the list still holds strong for me as 2016 dawns.

Not everyone on the list regularly writes super powered beings, but don’t let that scare you away from some great fiction. Some are just great at simple things like dialogue or the combination of amazing wonder with a real world setting. All of them can be great inspirations for any writer of super powered fiction and come with the highest recommendation from this author. Here they are presented in no particular order.



  1. Madeline L’Engle – L’Engle had an amazing ability to ground the most insane idea in reality. A Wrinkle in Time is built around crazy ideas presented with an air of the normal.
  2. Adam Troy Castro – His Sinister Six novels that came at the end of the 90s Marvel novels showed how to juggle a ton of characters in super powered prose, a trait shared by…
  3. Van Allen Plexico – Van’s Sentinels series juggles a huge cast in compelling tales about a unit somewhere between the Avengers and the Defenders. One of the first true independent creators of super powered fiction, Van in many ways built the archetype for how to create a super powered prose universe and I learn from his work every time I read it. 
  4. Stephen King – Several of King’s earliest works very much fall into the super powered fiction category: Carrie, Firestarter, The Dead Zone, etc.
  5. Robert Parker – No one does dialogue as well as Parker. Anyone can learn from reading his stories.
  6. Orson Scott Card – Card has an ability to build big ideas around human stories, both in his solid Ender series and his far stronger Alvin Maker fantasy tales.. I argue it is a tact he learned from…
  7. Robert Heinlein – Heinlein is a master of the art of interweaving his ideas into a human narrative, even if it is one of the future. He’s also great for challenging social contracts decades before the present day.
  8. Diane Duane – Duane’s Spider-Man and Venom trilogy taught me that a superhero like Spider-Man could be a compelling lead in prose at a time when such things weren’t really done. Her trilogy also shows exactly how to use Mary Jane as Peter’s wife and make her compelling, something Marvel Comics writers and editors found so hard they used a demon to end their marriage.
  9. George R. R. Martin & the Wild Card Trust – For obvious reasons, the creatives behind the Wild Cards series all deserve every ounce of praise they receive. Some of the best minds in super powered prose ever.
  10. Octavia Butler – Butler deserves to be on the top of this list for Wild Seed alone, but every novel she wrote is a master class on short, tight narrative. Wild Seed is a major inspiration for the historical metahuman stories still developing in the Quadrant Universe while its sequels build an interesting narrative of secret super powered beings among us.

I still routinely pull out books by all these writers when I need a bit of inspiration. I highly recommend any lovers of great fiction to do the same. 

Thursday, July 16, 2015

Influential 4: Wild Cards

Brian Bolland drew the best of many Wild Cards covers over the years.
It is hard to talk about super powered prose fiction in the United States without bringing up the Wild Cards franchise. Conceived by George R.R. Martin in the late eighties and based on a Superworld campaign by some of the original authors, it was the first major work to put original superheroes into prose form.

Now decades old, in many ways the series defined superhero prose fiction. It also proved that a cohesive universe shared by multiple authors was not only feasible but could also be incredibly compelling.

While the first volume in the series was published in 1987, I didn’t discover the series until the very early 1990s however through six hardcover reprints produced by the Science Fiction Book Club and available at my local library.

When I read that first volume, now renamed Wild Cards I, a major revelation hit me. I could combine my love for superheroes and prose into something wholly original. My terrible artistic attempts pretty much ended when I finished that first book and reveled in the adventures of Jetboy, Tachyon, The Great & Powerful Turtle, Golden Boy, The Sleeper, Fortunato and more. They weren’t like the characters in comics. They were far more adult, far more violent and far more real.

The books decision to never hide sex and violence from its pages is a major influence on Walking Shadows. If I wanted to tell the real lives of these young people, I knew I needed to never shy away from their real lives. With that in mind, I set out to make this a series aimed at younger readers with a mature bent while still having some of the high drama of superhero stories.

At the same time, Wild Cards I also did much to encourage the history of the Quadrant Universe. The book stretched across four decades of the twentieth century, interwoven through a subtly altered history. It was a concept I embraced when designing the thousands of years worth of history that make up the backstory of my world, much of which still waits to be revealed.

But if you have never read Wild Cards, go give the first book a chance. The new edition first book even has some new tales by modern authors in it for long time readers. I’m pretty sure you’ll be glad you gave it a try.